Host Meg Wolitzer presents two stories about selves obscured and revealed, by characters whose own identities are mysteries to them. In Aimee Bender’s “Un-Selfie, a woman reveals her extraordinary past to a stranger. The story was a commission for our 2022 Small Odysseys anthology, and is read by Alysia Reiner. In our second story, “Best Western” by Louise Erdrich, a young wife struggles to maintain a romantic fiction, until the real world crashes in on her. It’s read by Patricia Kalember.

Actress Holly Hunter reads Erin Somer’s short story “Ten Year Affair.”

Host Meg Wolitzer presents stories chosen by On the Media’s Brooke Gladstone. Gladstone was our guest for a live Selected Shorts event in which all the stories explore the theme of tales we tell ourselves—and others. The title says it all in Mary Gordon’s “My Podiatrist Tells Me a Story about a Boy and a Dog” read by Bebe Neuwirth and Richard Masur. Two imaginative cooks reinvent themselves in a new country in Meron Hadero’s “A Down Home Meal for These Difficult Times” read by Chinasa Ogbuagu. And a child imagines an absent parent through her postcards in “Love, Your Only Mother” by David Michael Kaplan, read by Bebe Neuwirth. In addition to Gladstone’s on-stage remarks, this episode features backstage interviews with actors Masur, Neuwirth and Ogbuagu.

Meg Wolitzer presents two stories about secret spaces, and what they represent. In N.K. Jemisin’s speculative fantasy “Elevator Dancer” a security guard in a totalitarian regime is beguiled by an act of freedom. The reader is Laura Gomez. And Hugh Dancy reads Greg Jackson’s “The Hollow,” about a secret room, a purposeless life, and a guy who can’t stop talking about Vincent Van Gogh.

Host Meg Wolitzer shares our tribute to the influential and outspoken New Yorker Grace Paley, who would have turned 100 in 2022. Her emphasis on friends, family, and doing the right thing are evident in the three stories on this show. In “Wants,” a woman has a chance encounter while returning a lot of overdue library books. It’s read by Adina Verson. Two old friends work their way from childhood to middle age in “Ruthy and Edie,” read by Rita Wolf. And we meet a woman with a wonderfully checkered past in “Goodbye and Good Luck,” read by Joanna Gleason. Backstage interviews with Wolf and Gleason are featured.

On this show, host Meg Wolitzer gets friendly, and shares three stories about friendships of all kinds. Kelly Stout’s zinger “Let’s Get Drinks,” offers up the perils of conducting a social life via hyperbolic texts, which are hilariously performed by Jane Curtin and Jane Kaczmarek. Next, “True Friendship,” by Jorge Hernandez describes a life-long friend who’s almost too good to be—true. The reader is Michael Urie. And three misfits fit together in Anthony Marra’s “The Last Words of Benito Picone,” performed by John Turturro. A brief interview with Turturro follows the story.

On this show, Meg Wolitzer hands things off to guest host Hope Davis, who presents three stories about finding some kind of peace and stability in a variety of challenging circumstances. In Rabih Alameddine’s “Break” a trans woman reconnects with a sibling. The reader is Pooya Mohseni. Dave Eggers imagines a world changed by determined parents in “Your Mother And I,” performed by the late David Rakoff. And love triumphs over illness in Amy Bloom’s “Silver Water,” performed by Linda Lavin.

Host Meg Wolitzer presents two stories in which some things are saved and some are left behind. Both stories also have a connection to the German language. In Haruki Murakami’s “Lederhosen,” performed by Aasif Mandvi, the traditional German shorts become a singular obsession for one half of a married couple. In Elizabeth McCracken’s “Robinson Crusoe at the Waterpark,” a couple and their son find themselves in over their heads. Mike Doyle is the reader.

Read by Jane Kaczmarek, author Roxane Gay’s playful story somehow confronts alcoholism, matrimony, masculinity, the nuclear family and the failure of the American Dream, while making us laugh. And host Aparna Nancherla talks to her friend, comedian Alison Leiby her solo show, “Oh God, a Show About Abortion,” and how to craft comedy from uncomfortable situations.