Why Your Story’s Conflict Isn’t Working
Story conflict is only interesting or compelling within the context of the plot.
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Story conflict is only interesting or compelling within the context of the plot.
Most of the time, the only thing keeping us from our writing is ourselves.
Boring scenes often occur when the main character has no obvious purpose.
Five of the most common ways authors kill their readers’ suspension of disbelief – and, by extension, their stories.
Through a judicious choice of unifying and contrasting details, you can add some real muscle to your scene.
Dual timelines can include a deeper plot, more resonant theme, and greater character development.
Sometimes we can zap a story’s tension without even realizing it.
Is a linear storytelling process best for your story? Or would you be better off writing scenes out of order?
Finding the focus of each scene in your story is as easy as finding purpose, conflict, and context.