Motivation-Reaction Units: Cracking the Code of Good Writing
Dwight V. Swain famously cracked the code of efficient prose into what he called motivation-reaction units, or MRUs.
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Dwight V. Swain famously cracked the code of efficient prose into what he called motivation-reaction units, or MRUs.
Two prominent exceptions to scene structure: incidents and happenings.
Answers to five questions about scene/sequel structure.
Sequels, even more than scenes, offer all kinds of flexibility.
The decision is the little cattle prod on your story’s backside that keeps it moving.
The previous scene’s disaster was a catastrophic declaration; the dilemma, in response, presents a question, “What do I do now?”
At the heart of every sequel is the narrating character’s reaction to the preceding scene’s disaster.
Like the scene, the sequel can be broken down into three segments that work together to create a rise and fall of drama.
Let’s take a minute to explore some of the variations upon that standard model of goal/conflict/disaster.