Messy Characters, Building Tension & How Agents Should Advocate For Your Work with Agent Nour Sallam

We are so happy to welcome Nour Sallam, agent at P.S. Literary, to the podcast!

We discuss:

*How agents should advocate for clients from signing to offers to contracts to publication and beyond

*Why messy characters and their interiority are often the one thing missing from your work

*Why we should experience empathy for your villain

*Opportunities to build tension, pulling the reader (or agent!) into your story

Meet with Nour here: https://manuscriptacademy.com/faculty-members/nour-sallam

See a clip of this episode here: https://youtu.be/xBbNAb0d5sM?si=8NLlvwhX3X04p5vB

Transcript and timestamps here: https://manuscriptacademy.com/podcast-nour-sallam

Nour Sallam is an associate literary agent at P.S. Literary Agency representing adult fiction and nonfiction. Nour has previously worked in editing, podcasting, communications, and journalism. She got her start at the University of British Columbia where she studied English Literature and Political Science. She then got her publishing certificate at Toronto Metropolitan University. As an Arab woman and an immigrant, she loves books of any genre that amplify joy and connection, or feature complex and nuanced histories, power dynamics, or underrepresented narratives.

Nour is seeking commercial and upmarket fiction titles as well as select literary fiction, edgy psychological thrillers, mysteries, and light horror. In fiction, she gravitates towards voicey characters that are haunted by something: a secret, a past, a fear— or an actual haunting! She’s actively seeking character-driven stories featuring women in power, unhinged women, and stories of female rage. She also has a soft spot for unreliable narrators, family sagas with dysfunctional families, protagonists in their 20s-30s navigating adulthood, protagonists on the cusp of major life changes, and stories that focus on friendship dynamics. She is also drawn to stories that explore the diverse experiences of underrepresented groups and challenge our understanding of diasporic experiences and/or cultures. Bonus points if these stories are also fun and celebrate joy.

For nonfiction, Nour welcomes fresh and accessible perspectives on big ideas or industry deep dives as well as personal narratives on pop culture, art, and nature. She appreciates books that offer incisive commentary on culture, socio-economic structures, corporate underbellies, health and wellness, and lifestyle. Her taste in non-fiction gravitates towards books that generally challenge what we know or explain what we might not know.

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