Essayist and translator Kate Briggs’ first novel The Long Form is a book about, and happening within, the relationship between Helen and her infant daughter, Rose. What does making a novel baby-centric, not a novel about babies, but where the baby is a main character, a vital actor that shapes the story that unfolds, that shapes the experience of time and duration, what does that do to the novel? And what does it tell us about the history of novels, of the biases baked into the ways we traditionally tell stories? What gets considered worthy of characterization and why? What is considered dramatic or utterly banal, and what are the implications of these long-standing sensibilities? The Long Form meditates deeply on what a novel is thanks to baby Rose. And invites us to do so alongside her.

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